Long Haired and Wild: The Story of a Dictionary

“There, inside old books, we also find  “‘beloved and tender and funny and familiar things,'” which  “‘beckon across gulfs of death and change with a magic poignancy, the old things that our dead leaders and fore-fathers loved, viva adhuc et desiderio pulcriora.'”*
– 
David Skinner The Story of Ain’t (William Neilson quoting Gilbert Murray 28)

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My Inheritance: My father’s spelling disability and his Vest Pocket Webster Dictionary

I attended a fascinating lecture the other night: “The Dictionary as Data: An Alumni Talk with Peter Sokolowski.” The talk was not only impressive, it was also a bit of serendipity for me as I had just finished a wonderful book, The Story of Ain’t written by David Skinner.

“All that a dictionary like Webster’s can do is record usage and when opinion differs show its own preference.” William Allan Neilson quoted in The Story of Ain’t (89)

So said the editor in chief of Webster’s Second Edition. But, as it turns out, dictionaries are also a window into our psyches. Regardless of whether one looks at how dictionaries are used, or how they are made, the window is indisputably wide open.

“It is ironic,” Gove said, “that the very title of the book we are considering contains a series of words which almost defy definition. It starts with the word Webster, about which there seems to be considerable doubt. The exact meaning of the word New is anyone’s guess. The word International has never been clearly defined. We are not even sure of the precise definition of the word dictionary. And the word English is open to considerable discussion. The word language has had a multitude of interpretations, and, finally, it is almost impossible to define precisely the word Unabridged” (171-72).

Let the fun begin! Both  Sokolowski’s lecture and Skinner’s book concern Merriam-Webster dictionaries. The Story of Ain’t  is about the making of Webster’s Third edition in the early 1960’s.  The overblown and manufactured-by-journalistic-laziness controversy over the eponymous word wonderfully describes the cultural history of the era, and with fascinating symmetry, reinforces the crux of the theme of Sokolowski’s lecture: dictionaries chronicle the culture. The words that we define and codify reveal who we are at any given moment. Even the manner in which we go about defining and codifying, as Skinner shows, communicates a zeitgeist.

Webster’s Third [...] “is not a dictionary as Samuel Johnson or Noah Webster conceived of one; it is a catalog. It is a kind of Kinsey Report in linguistics.”  (Right Reverend Richard S. Emrich quoted 261)

Skinner articulates the dark humor of the hysteria over Webster’s Third wonderfully. There were more than a few moments that I laughed out loud, alarming my son. I had to spend some time reassuring him of my sanity as my giggles over a book about a dictionary tended to cast doubt in his mind. Ah, well he already  sees me as something of lost cause…

“From its tendentious title- the work being neither Webster’s nor international, and only now and then a dictionary- to its silly systems and petty pedantries, the book is a faithful record of our emotional weaknesses and intellectual disarray” (Jacques Barzun quoted 293).

Skinner fully appreciates the high level of sophistication insults and condensations can reach in the ‘educated class’, and entertains the reader with one example after another. The comprehensive manner in which he uses the process and people involved with the making of the Third Edition to illustrate the culture of the time is skillfully executed and makes for a very fun read.

Peter Sokolowski, word maven and editor of Merriam-Webster turned the focus outward in his talk, examining the data that is currently being culled from online users of dictionaries. The trends are stark and fascinating: reflecting enduring conundrums (the etymology of “conundrum” is really fun, by the way) such as “effect” and “affect;” or a sudden interest in an obscure word mentioned by a newscaster or sports reporter. But there are also pairs of words that move up or down the ‘most looked up’ graph in concert with surprising constancy, or categories of words that occur in reliable order after cataclysmic events. The potential to glean sociological information from, of all things, dictionary data bases is astonishing, if slightly dismaying.

The interplay between our spoken language and the words that are then committed to writing is complex, illuminating, and meaningful. Dictionaries are used for all sorts of reasons: informational, instructional, etymological, philosophical (love, Sokolowski told us, for instance, is word that is looked up with curious relentlessness, considering its ubiquity). The potential insight provided by a digital platform’s newfound ability to uncover our relationship to words and what our language usage says about us is exciting, however, I must admit, I am somewhat nonplussed over my own inadvertent exposure.

*title from pg 193: Twaddle knew the letter writer,[...] and confirmed that he was a sane person whose views should be respectively heard. “There is nothing long-haired or wild about [him],” he said.

**Best Latin phrase ever – viva adhuc et desiderio pulcriora –  living still and more beautiful because of our desire.

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11 responses to “Long Haired and Wild: The Story of a Dictionary

  1. Great post.
    By the way, that vest pocket Webster dictionary brings back memories I had my older brother’s with me in 5th grade and entertained myself and friends by looking up words like “damn” and “hell.” Definitely, different times!

    • Oh yes! In the lecture we were regaled with a story in which a self-anointed woman of piety congratulated Dr. Johnson on leaving the “dirty” words out of the OED, to which he responded something to the effect of- “And yet Madame,I now know that you have looked them all up!”
      Of course, the real difference is that today, your dictionary knows exactly what you are looking up – no more sneaking about with a pocket dictionary!
      “Damn” and “hell” – oh gee, that is sweet.

  2. Sure, the dictionary is interesting but I always wondered if there was another word for “Thesaurus.”

  3. maybe we should be grateful for all the words that are left out, how big would the dictionary need to be to include them all?

  4. I looked up woman, female and male, man for purposes of a poem – on my blog back there somewhere. It’s difficult to explain. Words are a difficult vehicle to explain just about anything. I’ve no idea how we understand each other. (I giggled right through this post.) I own a Very Old Websters: The Consolidated Webster Encyclopedic Dictionary, published in 1947. Got it from a second hand book store for dirt cheap. It’s 8cm thick.

    • I know. I look them up for all sorts of reasons…sometimes just to find a definition that more closely defines the one I have in my head – I do the same with translations (which I guess, definitions, by definition- haha -may be)… I just never knew anyone was taking note!

  5. Many thanks for a lovely post. Is the name of your blog a reference to the song “Too Marvelous for Words”? One of my favorites (naturally). By coincidence, I posted a Sinatra version on Twitter just before finding this blog.

    • My pleasure!
      Wonderful song! Sadly no. I’m afraid the inspiration for my blog name comes from a rather more cynical bit of repartee: Bette Davis (Who better?) as Margo Channing in one of my favorite films, All About Eve.

  6. Pingback: Coenesthesia of Art | so very very

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